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For all its graphical niceties, though, inexperienced users are likely to struggle with the multiband compressor, since there’s no documentation available for this inherently complex plug-in. All four plug-ins have well-conceived interfaces, and we particularly like the limiter’s novel input volume display, giving a useful guide to how much dynamic range you’re losing. It only simulates rooms and plates and not halls and ambiences, but it might see some use when mastering voice-over work. It comprises multiband compression, EQ and brick-wall limiting – the three standard ingredients in a mastering chain – plus reverb. Top billing on the new features list is a quartet of iZotope plug-ins called the Mastering Effect Bundle.
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Despite each release’s new features, its core tools remain consistent, as does its key strength – straightforward editing at breakneck speed, and with surgical precision. Computers have transformed music production in the last decade, but Sound Forge has barely changed throughout this time.
![Plug in for sound forge 9.0](https://kumkoniak.com/71.jpg)